กระบวนการรบของพาลีและทรพีในการแสดงโขนเรื่องรามเกียรติ์ตอนพาลีรบทรพี

Abstract

The objectives of this thesis were: 1) to study the Ramayana literature used in the Khon drama of the Ramayana episode of Phali Bordaraphi, 2) to study the battle process of Phali and Thornpee, 3) to analyze the structure of the Phalee and Thornpee battle postures. and collect information from related academic documents Study the battle stances of Pali and Thrapee in the Khon performance. and receive the broadcast Interview with experienced teaching and acting

The results of the study found that The battle process in the pantomime performances of Pali and Trophie Can be classified into 2 forms: 1. Battle in the song Naphat Song Chid 2. Battle in the singing and dubbing

The combat process in the Naphat Prang Cherd song was not clothed for a reason. When studying, the researcher found that The tropics, according to literature and reality, are just animals, not dressed like humans. Not wearing a robe and another reason for Khontha Phi is unable to use his hands to hold his own robe. The process of fighting in the song Naphat Song Chord of Pali and Thap In the Khon show, the battle process used is 1. Battle 2. Tha Nue There are 5 steps for performing the dance as follows: 1. Battle 2. Nue 3. Strike before starting to catch. 4. Arresting moves 5. Strikes out of battle This is the end of the process of entering the battle in the 1st capture position.

The battle process in singing and voice acting All characters are treated similarly. By starting to hit the script according to the request and the dialogue dialogue But when the lyrics and dubbing talks are meaningful Refers to a battle or describes a character's actions. between two or more characters Will use the capture move in battle. which the pose in the pantomime When it is a step in the process of combat, there are 3 steps as follows: 1. Hitting 2. Arresting 3. Hitting out may use only pose or may use only strike and strike or call Khon language. that the hit passed