The Changing of Streaming Media in Thai Film Industry: A View from Suppliers and Stakeholders

Main Article Content

Viroj Suttisima

Abstract

This research aims to analyze the changing of streaming media in Thai film industry from suppliers' and stakeholders' views in 2021. The research methods include 1) documentary research, i.e. analyzing laws, policies, and value chain model in the film industry, and 2) in-depth interview. The study reveals the Western influence in the change of local film making standard, the incorporation of universal and local identities in films, and the audience-centric approach in content production. Through this approach, the content of films will be created to satisfy both mass and newly-emerged niche audiences. Consequently, these changes will lead to an increase of employment due to the need of more manpower in the production sector.  The traditional distribution will be hugely affected as the audience become more likely to watch films on online streaming platforms instead of going to cinemas. At a macro level, local producers will need to adapt their working practices and style of creativity to new trends in international platform business. At a micro level, international platforms will have to adapt to local tastes and working culture.

Article Details

Section
Research Articles

References

ประชาชาติธุรกิจออนไลน์ (2564). สมรภูมิ OTT ร้อนฉ่า ดัมพ์ราคา-เติมคอนเทนต์ชิงลูกค้า. เข้าถึงจาก https://www.prachachat.net/ict/news-593841. เข้าถึงเมื่อ 1 เมษายน 2564.
สราวุฒิ ศรีทองคำ (2559). Video Streaming: บริบทของภาพยนตร์ออนไลน์ในวัฒนธรรม (ดิจิทัล) ศึกษา. สารอาศรมวัฒนธรมวลัยลักษณ์. ปีที่ 16 ฉบับที่ 1 (2559) มกราคม – มิถุนายน. เข้าถึงจาก https://so06.tci-thaijo.org/index.php/cjwu/article/view/95386
National Geographic ฉบับภาษาไทย (2562). Streaming Technology คืออะไร. เข้าถึงจาก https://ngthai.com/science/21986/streaming-technology/. เข้าถึงเมื่อ 15 มีนาคม 2564.
Bloore, P. (2009). Re-defining the Independent Film Value Chain. Discussion document. UK Film Council.
Cambridge Dictionary (2021). Streaming. Access from https://dictionary.cambridge.org/dictionary/english/streaming. 18 March 2021.
Eliashberg, J., Elberse, A. & Leenders, M. (2006). The Motion Picture Industry: Critical Issues in Practice, Current Research, and New Research Directions. Marketing Science. 25. 638-661. 10.1287/mksc.1050.0177.
Hadida, A., Lampel, J., Walls, W. & Joshi, A. (2020). Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics. Journal of Cultural Economics. 10.1007/s10824-020-09379-z.
Nieborg, D. B., & Poell, T. (2018). The platformization of cultural production: Theorizing the contingent cultural commodity. New media & society, 20(11), 4275-4292. doi:10.1177/1461444818769694
Mirrlees, T. (2013). Global entertainment media: Between cultural imperialism and cultural globalization. New York; London: Routledge.
Porter, M. E. (1985). Competitive Advantage. Ch. 1, pp 11-15. The Free Press. New York.
Robertson, R. (2012). Globalisation or glocalisation? The Journal of International Communication, 18(2), 191-208. doi:10.1080/13216597.2012.709925
Salvador, E., Simon, J. & Benghozi, P.-J. (2019). “Facing disruption: the cinema value chain in the digital age”. International Journal of Arts Management. 22. 25-40.