The Construction of Meaning for Women in Lanna Jataka Literary Works

Main Article Content

Donlaya Kaewkhamsaen
Pathom Hongsuwan

Abstract

The objectives of this research paper were: 1) to study the concept of meaning construction of woman in patriarchy and, 2) to analyze the meaning construction of woman in Lanna Jataka. The qualitative research method was used to analyze four Lanna Jatakas namely; 1) kusa Jataka, 2) Nang Uththra, 3) Candaghat Jataka, and 4) Suprommokkha Mah Kao Hang. The findings of this study were presented in descriptive analysis. The results of the research showed that 1) The meaning construction of woman in patriarchy will be controlled and reproduced from a male perspective. Therefore, femininity is under the power of men who can choose and adopt the desirable qualities of women to be reproduced and conveyed naturally and realistically in order to strengthen the legitimacy of male power; 2) The Lanna Jataka has constructed the meanings of woman presenting through the image representation of women in various positions as follows; (1) mother (2) wife (3) a man’s property (4) a dependent gender, (5) a sex object, and (6) a symbol of uncleanness and impurity. It can be seen that there are various forms of image presentation of women depending on how the authors or producers will give the meanings to the woman. Lanna Jataka is, therefore, considered as an area to construct meanings and image presentation of woman to people in Lanna society, which are not always the reflection of realities.

Article Details

How to Cite
Kaewkhamsaen , D. ., & Hongsuwan, P. (2020). The Construction of Meaning for Women in Lanna Jataka Literary Works. Journal of MCU Peace Studies, 9(4), 1366–1382. retrieved from https://so03.tci-thaijo.org/index.php/journal-peace/article/view/243773
Section
Research Articles

References

Akhanit, P. et al. (1998). A Critical Study of Northern Thai Version of Panya-Jataka. Chiang Mai: Chiang Mai University.

Asana, S. (1986). Women in Lanna Literature. (Master’s Thesis). Graduate School: Srinakharinwirot Prasarnmit University. Bangkok.

Athamasar, R. (1988). Folk ideology and status of women. Seminar summary Operations of Northern Women Development at Payap University. 20 February 1988.

Charoenporn, S. (2005). Women and Society in Thai literature in the Bubble Economy. Bangkok: Matichon.

Chongsathitman, C. (1992). Cultural Crisis: The Case of Changing Community Values. Bangkok: Office of the National Culture Commission.

Chotiudompant, S. (2016). Criticism Literary Theory of Western in the Twentieth Century. Bangkok: Chulalongkorn University Press.

Hongsuwan, P. (2012). Legend of Lanna Buddha: Wisdom the Power of Faith and Relationship with Local. Bangkok: The Thailand Research Fund (TRF).

Kaewkhamsaen, D. (2016). The Representation of Lanna Woman in Yasothara Nirvana Literature. Journal of Bailan, 3(1), 1-24.

Kammou, W. (1992). A Comparative Study of Different Versions of Nang Uddhara. (Master’s Thesis). Graduate School: Chiang Mai University. Chiang Mai.

Palarat, L. (2002). Women in Buddhist Philosophy. Bangkok: Chulalongkorn University Press.

Ratana, P. (2013). Creating the image of the northern woman: the impact of tourism development in Thailand. in Chaimuangchun, P., Saensa, P (Eds.). Lanna history mark: Includ academic articles on the occasion of the sixth anniversary of Prof. Saratsawadee-Assoc. Prof.Somchot Angsakul. (pp. 249). BangKok: Eastern Printing House.

Rodsub, N. (2012). Patriarchy: The Reflection of the Inequality between Male and female in Asian society. Journal of Academic, 4(2), 30-45.

Sangkhaphanthanon, T. (2016). Contemporary Literary Theory. Pathum Thani: Nakorn Press.

Santasombat, Y. (2016). Freud and Psychoanalytic Development: From Dreams to Social Theories. (5th ed). Bangkok: Thammasat University Press.

Sirarojananan, M. (2019). Women in Buddhism. (2nd ed). Bangkok: Thammasat University Press.

Sriratanasomboon, C. (2012). The construction of Thai women as objects of desire in contemporary German Writings. In The science of literature is Trisilpa: Theory Aesthetic Social. Bangkok: Sangsanbooks.

Suriyachai, A. (2003). An Analytical Study of Suprommokkha Mah Kao Hang. (Master’s Thesis). Graduate School: Chiang Mai University. Chiang Mai.

Wongthet, P. (2001). Gender and Culture. (2nd ed). Bangkok: Ruenkaew Printing.