Inheritance and Techniques for Farang Khoo Dance on the Play Aunnarut Story

Abstract

This article aims to 1. study widespread of the play Aunnarut both of literature type and performance  2. study elements and FarangKhoo dance posture on the play Aunnarut through inheritance from teacher Venika Boonnak and 3. analyze techniques for FarangKhoo dance on the play Aunnarut performance by defining studying scope in FarangKhoo dance posture on the play Aunnarut performance through style of teacher Lamoon Yamakupta by studying dance posture with teacher Venika Boonnak, National Artist in Thai Dance in the year 2558. Research methodology be qualitative by studying from books, texts, related articles and taking field study in dance posture self-practising for data collecting to analyze and conclude results of studying.

          The results were found that 1. The play Aunnarut occurred since Ayudhaya era, be the play of King Rama I and be published in performance until this present time by later on FarangKhoo dance be popular shown as individually 2. Elements in performance consisted of the best basic skills in dance of performers and be able to dance with mini fans for adding pleasure in performance, PhraAunnarut costume would wear yellow and red long sleeve shirt and Nang Usa wear red and green blanket, for dance posture be still conserved LakornNai tradition 3.Techniques for FarangKhoo dance on the play Aunnarut performance were as follows 1) Technique of dance in pair to show 2 performers' skills for present out dance style, emotion and beauty of dance posture 2) Technique of interaction between actor and actress for getting the dance in natural and virtual  3) Technique for conveying emotions to the audience in the mood of the show