Thai String Ensemble Methodology: A Case Study of Associate Professor Dr.Yootthana Chuppunnarat

Abstract

This research aims to explore the methodology of Thai string ensembles, focusing on Associate Professor Dr. Yootthana Chuppunnarat’s song "Thon Somor Thao," by employing the qualitative research methods developed by Professor Dr. Suphang Chantavanich. The findings reveal: 1) A dedication to maintaining the original poetic forms as defined by National Artist Chaloem Muangphraesi, alongside nuanced modifications to adapt to contemporary contexts; 2) The Thai String Ensemble Methodology is applied in accordance with the principles of National Artist Prasit Thavorn, featuring the "Ryo Bpen Hang Nhoo" technique, which transitions the music from slow to fast. This method incorporates the "Rub Rong" singing technique, allowing musicians to subtly capture the melody from vocalists, and "Tsong Rong," which emphasizes a gentle deceleration of the melody, seamlessly integrated with the "Bua Wai Yai" technique for a fading effect. Additionally, the research highlights the importance of performance readiness, particularly the strategic positioning of musicians’ hands, to ensure organized and visually harmonious execution.