Intertextuality in contemporary literature titled kibad by Prasertsak Padmarid

Abstract

This study aims to examine intertextuality in the contemporary literary work titled Kibad by Prasertsak  Padmarid. The researcher applies the concepts of intertextuality, feminism, gender, and culture, presenting the findings through descriptive analysis. The study reveals that intertextuality in Kibad is constructed through Lanna society in three aspects: (1) The role of women in Lanna society—Lanna women play a crucial role in taking care of their families to ensure a better quality of life. (2) The creation of opportunities and spaces for gender expression in Lanna society, this is reflected in the character Hong, who, despite being male in appearance, is able to weave sin teen chok fabric, a traditionally female domain. (3) The transmission of Lanna cultural traditions through the Jula Kathin ceremony, faith in Buddhism, inherited from ancestors, unites the community as one. It is evident that Kibad constructs intertextuality through characters, conversation, settings, and locations, all interconnected by themes of love, attachment, and faith in the wisdom of weaving. Additionally, the novel conveys an implicit message about the dissolution of gender-based restrictions in weaving, promoting gender equality.