The Philosophy of Yin Yang in Manga Characterization

บทคัดย่อ

Background and Aims: Character design is central to the success of manga, yet many contemporary works rely on repetitive archetypes and lack psychological depth. This study investigates how the traditional Chinese philosophy of Yin and Yang, emphasizing contrast, balance, and transformation, can provide a creative framework for enriching manga characterization.

Methodology: A qualitative research design was employed, combining literature analysis, case study, and participant observation. Representative manga works, including Shaman King, Naruto, and Gintama, were analyzed to examine the integration of Yin-Yang concepts into visual design, character psychology, and group dynamics.

Results: The findings reveal that Yin-Yang philosophy is consistently reflected in color symbolism (e.g., white vs. black), elemental powers (e.g., fire vs. ice), and dual personality traits within single characters. Furthermore, the balance of Yin and Yang is evident in protagonist-antagonist relationships, such as Naruto and Sasuke, where complementary forces generate both narrative tension and emotional resonance. This dualistic structure enhances the complexity and relatability of characters.

Conclusion: Yin-Yang philosophy provides a culturally rooted and theoretically robust framework for manga characterization. By embedding duality and transformation in both individual and group portrayals, creators can achieve greater narrative depth and symbolic richness. The study highlights the potential of traditional Eastern philosophy to inform contemporary global storytelling and offers valuable implications for interdisciplinary research in media and cultural studies.