The Influence of Qin Guoming on the Development of Chinese Folk Songs in Guangxi Zhuang Autonomous Region

Tingting Cao; Yotsapan Pantasri

doi:10.60027/iarj.2025.287338

ผู้แต่ง

Tingting Cao College of Music, Mahasarakham University, Thailand https://orcid.org/0009-0000-5835-3595
Yotsapan Pantasri College of Music, Mahasarakham University, Thailand https://orcid.org/0009-0003-6731-9163

DOI:

https://doi.org/10.60027/iarj.2025.287338

คำสำคัญ:

Guilin Folk Songs, Qin Guoming, Folk Music Preservation, Cultural Transmission, Music Education

บทคัดย่อ

Background and Aims: Guilin folk songs, an integral part of the cultural heritage of the Guangxi Zhuang Autonomous Region, face challenges due to modernization and shifting societal values. Qin Guoming, a renowned folk musician, has played a pivotal role in preserving, transmitting, and innovating these folk songs. This study analyzes the influence of Qin Guoming on the development of Chinese folk songs in the Guangxi Zhuang Autonomous Region.

Methodology: This research employs a qualitative approach, incorporating ethnographic fieldwork, in-depth interviews, and textual analysis. Data collection involves interviews with folk musicians, cultural policymakers, and music educators, as well as an analysis of archival materials, folk song recordings, and academic literature. The study categorizes themes related to folk song preservation, transmission, and modernization to comprehensively assess Qin Guoming’s impact.

Results: Findings reveal that Qin Guoming’s efforts have significantly contributed to the sustainability of Guilin folk songs through systematic documentation, education, and innovation. His mentorship programs have trained over 10,000 students, ensuring the continuation of traditional singing techniques. Additionally, his integration of modern instrumentation and media outreach has expanded the audience for folk music, making it accessible to younger generations. His collaborations with cultural institutions have further institutionalized folk song preservation.

Conclusion: Qin Guoming’s work has transformed Guilin folk songs from fading traditions into vibrant cultural practices taught in schools, performed publicly, and preserved for future generations. His model shows that education, media outreach, and innovation can ensure the lasting vitality of traditional music.

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