A Study on the Creation of a Sino-Thai Fusion Dance Style Based on the Image of Mu Guiying
Main Article Content
บทคัดย่อ
This study aimed (1) to examine the cultural, aesthetic, and symbolic characteristics of Mu Guiying as a female heroic figure in Chinese cultural narratives and performing arts; (2) to analyze the integration of Chinese dance elements and Thai dance aesthetics in the creation of a contemporary Sino-Thai fusion dance performance; and (3) to develop a creative performance model for a Sino-Thai fusion dance style based on the image of Mu Guiying. This research employs a mixed-methods design integrating documentary research, qualitative inquiry, and creative conceptual development. Documentary sources, expert consultations, and creative planning documents were analyzed using content analysis and thematic analysis.
The research found that: (1) Mu Guiying embodies a multidimensional cultural image characterized by heroism, wisdom, leadership, patriotism, and feminine strength, providing a rich cultural foundation for contemporary artistic interpretation and intercultural dance creation. (2) Chinese dance and Thai traditional dance possess compatible aesthetic principles in terms of movement quality, symbolic gesture, rhythm, spatial organization, and character expression, creating significant potential for intercultural artistic integration while maintaining cultural authenticity. (3) A Sino-Thai Fusion Dance Creation Model was proposed, consisting of cultural interpretation, intercultural movement integration, and creative design. The model provides a systematic conceptual framework for future intercultural dance creation based on traditional cultural figures and contemporary artistic innovation.
Article Details

อนุญาตภายใต้เงื่อนไข Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
ทัศนะและความคิดเห็นที่ปรากฏในบทความในวารสาร ถือเป็นความรับผิดชอบของผู้เขียนบทความนั้น และไม่ถือเป็นทัศนะและความรับผิดชอบของกองบรรณาธิการ ยินยอมว่าบทความเป็นลิขสิทธิ์ของวารสาร
เอกสารอ้างอิง
Barton, J. T. (2007). A Comparative Study of Chinese Musical Activities in Chinese and Thai Cultural Contexts. Manusya, Journal of Humanities, 10(2), 1–13.
Boonserm, P. (2017). Tradition and Transformation of Thai Classical Dance: Nation, (Re) Invention, and Pedagogy. (Doctoral Dissertation). University of Exeter, United Kingdom.
Butler, J. (1990). Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
Fischer-Lichte, E., & Jain, S. (2008). The Transformative Power of Performance: A New Aesthetics. New York: Routledge.
Haseman, B. (2006). A Manifesto for Performative Research. Media International Australia Incorporating Culture and Policy, 118(1), 98–106.
Kruger, L., & Pavis, P. (2003). Theatre at the Crossroads of Culture. New York: Routledge.
Lovrick, P., & Siu, W. N. (2011). Chinese Opera: Images and Stories. Vancouver, CA: UBC Press.
Nelson, R. (2013). Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. New York: Springer.
Peking Opera Film Project Editorial Committee. (2017). Mu Guiying Takes Command: Peking Opera Film Project Series. Beijing: People’s Publishing House.