Design Conceptual and Analysis of Tie and Knot Techniques in Product, Furniture and Decorative Art

Main Article Content

Korakot Arumdee
Eakachat Joneurairatana

บทคัดย่อ

What factors retain the knotting and tie local craft heritage and valuable in daily life and economic benefit? The fishermen's lifestyles focused on the interest of living with muddy slopes along the seaside area. Such traditional skills and techniques of tying the rope with various knots to the bamboo trunk, which can absorb and withstand the natural wind and wave force, is a method preserved to create a catcher. Therefore, the decoding of ancestry wisdom and common routine practices, to combination of procedure techniques, and suitable materials, would require to create a contemporary craft design with sustainable products worthy of higher quality for future development. Since, handicraft variation in various regions is scattered with specific quality and market needs, the producer must develop to support the commercial growth and success for pertaining cultural preservation as well as responsibility for the environment. This research intended to develop contemporary art and design perception and value from a tie and knotting with an appropriate material such as bamboo ligament. The objectives have committed to investigating the original Knotting history and process. This paper used the Practice Led Research approach as the primary method for this dissertation with mixed research objectives. This research provided the method and process of used tie and knotting to create creative decoration furniture by divided into four phases: exploration, inspiration and ideate, implementation, and delivery. To clarify the relationship between handicrafts to contemporary designs and created the new design process model. This paper also demonstrates how to shifted local handicraft to contemporary designs. To sum up, this research will increase handicrafts in the local Thai community and preserve the Thai local.

Article Details

บท
บทความวิจัย

References

Bahadur, M. (2013). The Art of Bamboo: Bamboo in Manipuri Cultural Life India, Bangladesh and Myanmar: Cane and Bamboo Crafts of NE India, Bangladesh, Myanmar and Thailand. Mutua Museum.

Baht, B. (2010). Baht & Brains: Build the Thai Economy with Creativity. Thailand Creative and Design Center.

Candy, L. (2006a). Practice Based Research: A Guide. University of Technology, Sydney.

Center, T. C. D. (2017). Made: from Thai Creativity. Thailand Creative & Design Center.

Wirakitti, C., & T. C., Thailand Creative and Design Center. (2013). Northeastern (Material) Assets. Thailand Creative and Design Center.

Komaratat, C. (2011). Northeastern Thai Folk Sport. Bangkok: Sathaporn Books.

Kongkhunthian, S., B. M., & Siriyong, K. (2020). Suwan Kongkhunthian: Craft Lives. Bangkok: Issaraphap Design.

L'architecture, l. c., les chefs-d’œuvre. (2006). Tout le Quai Branly. Beaux Arts.

Leesuwan, W. (2015). Craft Dictionary Folk Tools. Muang Boran Publishing House.

Nimsamer, C. (2009). Stream of Life. Bangkok: Amarin Printing and Publishing Public Co., Ltd.

______. (2014). Composition of Art. Bangkok: Amarin Printing.

Panklam, P. (2010). Wisdom Good Intellectual Product. Bangkok: Plan Printing Co., Ltd.

Richard, N. (2007). Handicrafts and Employment Generation for the Poorest Youth and Women. UNESCO.

Sangarun, R., & Nij Hinchiranan. (2008). Laksana Thai (Thai Characters). Bangkok: Amarin Printing & Publishing.

Sangkaew, S., A. T., & Jindawong, K. (2011). Bamboo of Thailand. Bangkok: Baanlaesuan.