Thai-Javanese Multiculturalism in a Creative Bathing Dance Performance Pra Bu Nu Asun Taengtua

Abstract

The objective of this research is to create the dance performance “Pra Bu Nu Asun Taengtua” by combining Thai and Javanese dance. It employs a qualitative research methodology, collecting data through document studies and interviews with experts in Thai and Javanese dance. All data is then analyzed for content, leading to the concept for this work. The research findings indicate that “Pra Bu Nu Asun Taengtua” is a creative dance performance that balances Thai and Javanese dance elements. It is presented as a dance drama inspired by the “bathing” ritual in Thai and Javanese dance. The main character is Prapunu Asun, a majestic giant king who is dressed up to lead his army to reclaim the woman he loves, based on the Panji mask dance drama. The performance is divided into key stages: the bathing ritual with the song “Long Song Tone” interspersed with slow, mournful refrains, and the kris dance with the song “Saramah,” which adapts the Javanese dance’s use of the kris as a personal weapon for the giant in Thai dance. The music design incorporates some gamelan instruments blended with Thai instruments, and the costume design incorporates Javanese dance costume elements into the Thai standing costume, resulting in a new dance performance that blends two art forms. This performance has a cross-cultural hybrid style, and no previous performance has combined the Thai-Javanese giant bathing ritual in such a holistic manner. The results of this research will serve as a guideline for studying and creating dance for those interested in further creative work.