The Performing Art of Percussion in Sichuan Opera
คำสำคัญ:
Sichuan Opera, Percussion, Performing Artบทคัดย่อ
This article aimed to study (1) The performance style of Sichuan opera percussion music. (2) The performance techniques of Sichuan Opera percussion music. (3) To seek the inheritance path of contemporary Sichuan Opera Percussion music. They were selected by Analysis data by Descriptive statistics and Content Analysis.
The research results were found as follows:
- The playing style of Sichuan opera percussion has gradually become unified from the different styles of the previous four rivers.As a result, the way of talent training has changed, from the former college and regiment system, the master-apprentice inheritance system to the unified talent training in the school.Therefore, the playing style of Sichuan opera percussion music gradually formed with Chengdu as the center, that is, the playing style of the West Sichuan Dam School.
- As the drummer is the conductor of the whole Sichuan opera percussion music and dominates all the elements of the Sichuan opera performance, the performance techniques here are mainly to explore the drummer-based performance techniques (that is ‘eye-making’), which are 16 eye-making methods of the right hand and 5 eye-making methods of the left hand.
- Centered in Chengdu, it has jointly carried out the teaching of popularizing Sichuan opera percussion music with colleges and universities, which not only allows college students to let primary and secondary school teachers learn more about Sichuan opera percussion music, but also expands the inheritance path of contemporary Sichuan opera percussion music.
References
An Introduction to Sichuan Opera Music.(1986). Chengdu:Sichuan Opera Art Institute. Bogard,Travis.(1972).Conour in time.The play of Eugene O’Neill.Oxford UniversityPress,
Chen Dehou.(2013). The inheritance and implication of gongs and drums in Sichuan Opera. Sichuan Drama, (02),35-37
Chengdu Sichuan Opera Research Institute.(2018). Sichuan Opera music—Chen Lisheng's dictation. Chengdu: Sichuan University Press.
Du Jianhua. (2002). The aesthetic demonstration significance of Sichuan opera gold .Chinese Drama,(04)
Deng Yun.(2020). Leshan "Jiayang River" Sichuan opera art. Literary Life, (3).
Eugene Lonesco.(1975).Notes et contre-notes, Paris,Gallimard. 182
Feng Guangyu.(1982).On the Reform of High-tune Music in Sichuan Opera. Music Studies,(01).
Fang Yin. (1991). Sichuan opera performance art structure and the artistic style of elegance and vulgarity. Sichuan Drama. (3).
Guo Qingpin.(2002)."Gold" music brief talk. Chinese Drama,(07),41-42
Huang Yiliang,Hu Weixiao. (1980). Sichuan opera gong and drum brand. Chengdu:Sichuan People's Publishing House.
Hu Du, Liu Xingming. (1987). Sichuan opera dictionary. Beijing: The Central Drama Press.
Hu Juhong. (2019). Analysis on the development and brand effect. Literary Life,(8).
Jia Chunhua. (2011). A Study on the musical form of Sichuan Opera. (Master Thesis) Sichuan Normal University.ChengDu
Ji Yaping.(2018).The inheritance and implication of gongs and drums in Sichuan Opera. The House of Drama,(33),41.
Kaye-Smith,Sheila.(1992).An excerpt from joh ngalsworthy. Twentieth-Century Literary Criticism,(45)
Lu Yingkun. (2001). High cavity and Sichuan opera music. Beijing:People’s music publishing house.
Li sha.(1997).The historical extension power of Sichuan opera art. Sichuan Drama, (2)
Liu Peiquan. (2017). “Ziyang River” Art of Sichuan Opera inheritance value. Sichuan Drama, (1).
Luo Jiaqi.(2018). Characteristics of Sichuan Opera. Chinese Drama ,(04),34-36.
Li Shuquan.The importance of percussion in Sichuan opera performance. Artist，Year,(04),100
Lin Xinying. Overview of "Ziyang River" Sichuan Opera. The House of Drama, (14),39.
Meng Lijing.(2016). In Sichuan Opera, the script and its creative exposition. Master Thesis. Sichuan Normal University Chengdu.
Mou Xianyan. (2019). Thoughts on the inheritance and development of Sichuan Opera art. Art Mirror,(30).
Peng Chaoyi.(1983). Sichuan opera high cavity plate style. Sichuan music,(12)
Peng Yu.(2004).The structure of Sichuan opera gong and drum brand. Music Exploration ,Journal of Sichuan Conservatory of Music,(04)
Peng Yu.(2011). The way of thinking of Chinese music reflected in the classics of gongs and drums and their inheritance mode. Music Exploration,( 03)
Shi Jiajian,Wu Xiaofei.(1998). The art of Sichuan opera percussionist by Wang Guanfu. Sichuan.Chengdu: People's Publishing House.
Sun Wenhua. (2017). The inheritance and development of Sichuan opera art in the new period. Sichuan Drama,(05)
Tan Shaohua. (1979). On the formation and genres of Sichuan opera. Social Science Research, (04), 120-128.
Wang Defu. (1992). Percussion: the existence of Sichuan Opera. Sichuan Drama,(06),54-55
Wang Yuanwen. (2019). How to expand the artistic expression of percussion in Sichuan Opera.The House of Drama,(32),30
Wen Yan. (1992). Analysis of the layout and structure of Sichuan opera art performance group. Sichuan Drama.(1)
Wu Ji.(2016).On the evolution of Sichuan Opera. The House of Drama,(8).
Wu Weimin.(1992).The formation of high accent accompaniment in Sichuan opera and its influence on gang singing. Sichuan Drama, (02),30-32
Wu Xianju. On the artistic characteristic of small gong accompaniment in Sichuan Opera performance.[J].The House of Drama, (15),29.
Xi Mingzhen.(1959).The dribs and drabs of Sichuan opera music reform. People's Music.(05),3-4.
Xu Mingyong.The inheritance and development of Sichuan Opera art. Literary Life,(8).
Yang ling. On the inheritance and development of "Jiayang River" Sichuan opera school art. Sichuan Drama,(11)
Zhang Jianying.(2018) On the relationship between Sichuan Opera music and Sichuan Opera interpretation. Chinese writers and artists,(07),51.
Zhang Meihua.(2021). The application of Sichuan opera percussion music in the accompaniment. The House of Drama,(20), 41-42.
Zhong Shicai.(2018). Brief Art of Sichuan Opera. Sichuan Drama,(09),88-90.
Zhong Kaizhi.(1993).Often used in Sichuan opera gong and drum music and performance tips. Sichuan Drama,(03),36-38
Zhong Kaizhi. (2017). Sichuan Opera Percussion.Chengdu:Sichuan Fine Art Publishing House.
Zhang Yu.(2018).On the percussion of Sichuan opera. Sichuan Drama,(11),25-28.
Zhou Yu. (2017). On the relationship between Sichuan Opera music and its interpretation. Yangtze River series,(35),8-9.
Zuo Junchen. (1991). The percussionist of Sichuan opera.Chengdu:Sichuan Sichuan Opera School.
Downloads
เผยแพร่แล้ว
How to Cite
ฉบับ
บท
License
จรรยาบรรณผู้เขียนบทความ
ผู้เขียนบทความต้องรับรองว่าบทความนี้ไม่เคยตีพิมพ์ในวารสารใดหรือสิ่งพิมพ์อื่นๆ มาก่อน ต้องไม่คัดลอกผลงานผู้อื่นมาปรับแต่งเป็นบทความของตน และไม่ได้อยู่ระหว่างการเสนอเพื่อพิจารณาตีพิมพ์ อีกทั้งยอมรับหลักเกณฑ์การพิจารณาและการตรวจแก้ไขบทความต้นฉบับโดยกองบรรณาธิการวารสารวิทยาลัยนครราชสีมา สาขามนุษยศาสตร์และสังคมศาสตร์
บทความทุกเรื่องได้รับการตรวจพิจารณาทางวิชาการโดยผู้ทรงคุณวุฒิที่มีประสบการณ์และมีความเชี่ยวชาญตรงตามสาขาของบทความ ซึ่งผู้เขียนต้องแก้ไขตามคำแนะนำของผู้ทรงคุณวุฒิภายในระยะเวลาที่กำหนด หากไม่เป็นไปตามกำหนดกองบรรณาธิการขอสงวนสิทธิ์และยกเลิกการตีพิมพ์โดยจะแจ้งให้ทราบต่อไป
ข้อความที่ปรากฏในบทความของวารสารนี้เป็นความคิดเห็นของผู้เขียนซึ่งไม่เกี่ยวข้องกับวิทยาลัยนครราชสีมาแต่อย่างใด และกองบรรณาธิการขอสงวนสิทธิ์ในการพิจารณาและตรวจประเมินบทความเพื่อตีพิมพ์ในวารสารของวิทยาลัยนครราชสีมา สาขามนุษยศาสตร์และสังคมศาสตร์
