The Protection of Intangible Cultural Heritage of Dance in Shaanxi Province

Authors

DOI:

https://doi.org/10.60027/iarj.2026.e291396

Keywords:

Shaanxi Province, Intangible Cultural Heritage of Dance, Protection, Inheritance, Strategies

Abstract

Background and Aims: Shaanxi Province, a cradle of Chinese civilization, is rich in dance-related intangible cultural heritage, such as the Ansai Waist Drum and Northern Shaanxi Yangge. These traditional dances reflect local history and culture but face serious challenges under modernization and globalization, including declining interest among youth and weakened cultural ecosystems. This study aims to examine these challenges and explore effective protection strategies.

Methodology: Using a mixed-methods approach, the study combined literature review, field investigations, and case analysis. Fieldwork focused on representative dances to assess their current transmission and challenges, while analysis of successful domestic and international cases provided references for potential strategies.

Results: Findings show that despite some progress, problems remain, including a lack of inheritors, insufficient funding, and weakened cultural recognition. Addressing these requires clearer policies, enhanced education, and new forms of cultural promotion to sustain Shaanxi’s dance heritage.

Conclusion: Protecting Shaanxi’s dance intangible cultural heritage demands integrated strategies, involving policy support, education, community participation, and modern technology. Strengthening talent cultivation, investing in protection, and raising public awareness will help ensure this heritage continues to thrive for future generations.

References

Cao, Y. (2023). Research on the innovative design of exhibition halls integrating cultural heritage and modern art: A case study of the Palace Museum. Literature and Art Weekly, 23, 78–80.

Chen, J. (2023). The application of modern information technology in the dissemination of intangible cultural heritage dance culture. China Ethnic Expo, 21, 105–107.

Diao, L. (2023). Listen to the “wind” and “sound” – Thoughts on the contemporary and modern dance awards of the 13th China Dance “Lotus Award.” Dance,(6, 33–39.

Hai, W. (2023). The revival and return of first-person cultural identity in the context of “departing from modernity”: A case study of current ethnic and folk dance practices and theories. Journal of Yunnan Arts University, 4, 46–51.

Han, R. (2023). On the acceptance order in dance aesthetics: Taking the work report of the course “Modern Choreography of Traditional Dance” as an example. Art Review, 21, 13–18.

Miao, F. (2023). Cross-cultural conflict and body reconstruction: American Dance Festival and Guangdong Modern Dance Experimental Class – Also on the research methods of dance history from the perspective of kinesthetic perception. Contemporary Dance Art Research, 8(3), 8–19.

Qiao, Y. (2023). The practical fulcrum of Chinese dance art in promoting the modern civilization construction of the Chinese nation from the perspective of “two creations.” Journal of Beijing Dance Academy, 6, 8–17.

Tao, G. (2024). Research on the modernization of natural resources governance in Shaanxi Province. Journal of Xi’an University of Arts and Sciences (Social Sciences Edition), 27(1), 60–64.

Published

2026-05-20

How to Cite

Zhang, X., & Tho-ard, M. . (2026). The Protection of Intangible Cultural Heritage of Dance in Shaanxi Province. Interdisciplinary Academic and Research Journal, 6(3), e291396 . https://doi.org/10.60027/iarj.2026.e291396

Issue

Section

Articles