The Singing Techniques of Long Baoling in Huangmei Opera Performances

Abstract

Background and Aims: Huangmei Opera, one of China's most renowned regional opera forms, is characterized by its lyrical melodies and expressive singing techniques. Long Baoling, a distinguished performer, has significantly contributed to preserving and refining Huangmei Opera’s vocal artistry. This study examines and analyzes Long Baoling's distinctive singing techniques in Huangmei Opera performances.

Methodology: This research employs a qualitative approach, combining performance analysis, interviews, and field observations. The representative performances of Long Baoling were transcribed and analyzed using musical notation software. Semi-structured interviews were conducted with experts and practitioners to gain insights into her vocal style. Direct performance observations were also recorded to document her singing techniques and artistic expression.

Results: Findings reveal that Long Baoling employs true voice singing to maintain vocal stability and resonance, while controlled vibrato and ornaments enhance musical fluidity and emotional depth. Her strategic use of ornamentation, including grace notes and dynamic variations, contributes to melodic expressiveness. Emotional expression is achieved through vocal modulation, adjusting tone, intensity, and phrasing to enhance character portrayal and storytelling.

Conclusion: Long Baoling’s singing techniques exemplify the balance between tradition and innovation in Huangmei Opera. Her vocal artistry preserves the genre’s authenticity and introduces refined techniques that ensure its continued relevance. These findings provide valuable insights for performers, educators, and researchers in Chinese opera studies.