Creative Music in Applied Isan Folk Long Drum (Klong-Yao Pra Yuk) of Nong Mek Village, Dan Chang Sub-district, Buayai District, Nakhon Ratchasima

Abstract

Background and Aims: A creative song featuring a long drum ensemble adds depth and cultural richness, resulting in a dynamic rhythm that improves the musical experience. The long drum's resonance and intricate beats heighten the song's emotional impact while connecting listeners to traditional roots. Thus, this research aims to 1) compose music in an Applied Isan Folk Long Drum of Nong Mek Village, Dan Chang Sub-district, Buayai District, Nakhon Ratchasima and 2) compose rhythmic patterns of an Applied Isan Folk Long Drum of Nong Mek Village, Dan Chang Sub-district, Buayai District, Nakhon Ratchasima.

Methodology: This research is a qualitative study (Qualitative Research) that focuses on the creative composition of songs for public dissemination. The researcher has divided the research process into five parts: 1) Target Population: Experts in musical arts. 2) Research Instruments: Interviews and music notation sheets. 3) Research Methodology: Data was collected through fieldwork. 4) Data Analysis: The analysis involved composing melodies and rhythmic patterns for an Applied Isan Folk Long Drum. 5) Conclusion and Presentation.

Results: Research results are as follows. 1) Results showed that the music in an Applied Isan Folk Long Drum of Nong Mek Village, Dan Chang Sub-district, Buayai District, Nakhon Ratchasima. The rhythm of the music was accompanied by a Thai northeastern harp with international notes. The researcher composed 3 parts, 44 bars with a Pentatonic scale through up and down melody. 2) The researcher recorded rhythmic patterns through rhythmic notes with a total of 32 bars and 5 rhythmic patterns. The first rhythmic pattern was a rolling drum, large cymbals, and small cymbals to finish the performance. The second rhythmic pattern was beating a drum in Korat Folk Dance (Ram Tone), the third pattern was a middle syncopation, the fourth pattern was in Nang Kra Dong Dance (Ram Nang Kra Dong), and the last one was the final syncopation.

Conclusion: The study emphasizes the integration of traditional Isan music with modern musical elements, demonstrating the fusion of cultural rhythms and international notation. It emphasizes the intricate compositions and rhythmic patterns that both preserve and innovate Nong Mek Village's musical heritage.