The Construction of Chineseness in BYD Car Advertisements
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Abstract
This study analyzes BYD automobile advertisements to investigate the strategies employed in constructing representations of Chineseness through multimodal elements, including visuals, sound, and text. Drawing on the frameworks of Kress and van Leeuwen’s Visual Grammar and Barthes’s theory of myth, the research examines ten advertisements disseminated via digital media between 2022 and 2024. The analysis reveals three dimensions of meaning-making: (1) Representational meaning, in which narratives of traditional Chinese values are linked to the modern automobile; (2) Interactive meaning, where visual techniques such as visual contact, social distance, and point of view are used to engage viewers and convey cultural identity; and (3) Compositional meaning, through which the overall layout and arrangement of visual elements contribute to a cohesive representation of Chineseness. The findings identify three dominant representations of Chineseness constructed in BYD advertisements: (1) Chineseness is characterized as a modern creator; (2) Chineseness is represented as unity; and (3) Chineseness is portrayed as global.
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