The Art of Translucent Ceramic Jewelry: Exploring Bone China and Natural Imprint Technique

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Thaniya Rawichawakorn
Sone Simatrang
Jirawat Vonphantuset
Eakachat Joneurairatana

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This research explores the development of translucent ceramic jewelry using Bone China clay and imprint techniques with natural materials such as rice, rice husks, and rice bags. The aim is to enhance the design and aesthetic qualities of ceramic jewelry. The study investigates the properties of Bone China, known for its translucency, lightweight nature, and durability, making it suitable for innovative jewelry design. The research has three main objectives: 1) to study the properties of translucent ceramics 2) to create translucent ceramic jewelry inspired by the Lamphu flower, and 3) to present a craft design concept for creating translucent ceramic jewelry collections based on hand making process. The scope of this study focuses on the Bang Lamphu and Khao San Road areas, rich in cultural heritage. The research culminates in a collection titled "Recall Lumphu," which features four jewelry pieces: a necklace, earrings, a ring, and a brooch. The results confirm that the combination of Bone China with natural materials can produce distinct textures and visual effects, effectively capturing and reflecting light.


The research results were found as follows; 1. the properties of translucent ceramics, specifically Bone China clay, which can be used to create unique jewelry. By combining clay with other materials like rice, rice husks, and rice bags, the researchers can develop distinct textures and visual effects. 2. The Lamphu flower-inspired translucent ceramic jewelry showcases the potential for expressing cultural symbols and personal expression. The research also highlights the role of jewelry in storytelling and cultural appreciation in urban landscapes. 3. Presenting a craft design concept for translucent ceramic jewelry collections based on hand-making processes, promoting artistic expression. The research also highlights the cultural narratives embedded in the designs, encouraging creativity and appreciation for local heritage. The study employed a mixed-methods approach, including literature review and field data collection, to explore community life in Bang Lamphu and Khao San, Thailand. Using "The 7 Community Tools," the researcher examined how traditional craftsmanship integrates into contemporary jewelry design, appealing to both cultural preservationists and modern art enthusiasts.

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Rawichawakorn, T., Simatrang, S. ., Vonphantuset, J. ., & Joneurairatana, E. . (2025). The Art of Translucent Ceramic Jewelry: Exploring Bone China and Natural Imprint Technique. วารสารสันติศึกษาปริทรรศน์ มจร, 13(2), 447–460. สืบค้น จาก https://so03.tci-thaijo.org/index.php/journal-peace/article/view/286183
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