Textual Adaptation: Transforming Nirat Hariphunchai into Contemporary Lanna Drama

Abstract

This study examined and analyzed Nirat Hariphunchai to develop a contemporary Lanna dance drama script, emphasizing the central theme of Buddhist moral philosophy (kathidham). The research aimed to bridge classical literature with performing arts, reflecting cultural values and Buddhist teachings. A qualitative approach was employed, incorporating textual analysis of the original poem, expert interviews, and field observations. The findings revealed that: (1) Narrative Structure – Nirat Hariphunchai follows a chronological travelogue format, whereas the contemporary Lanna dance drama adopts a more intricate structure, interwoven with Buddhist philosophy and a focus on the emotional development of the characters, (2) Character Transformation – The original poem primarily expresses the poet’s personal emotions, whereas the adapted performance reinterprets these into symbolic characters representing tanhā (craving) and letting go, in accordance with Buddhist philosophy, and (3)  Language – The transition from archaic Lanna to contemporary Lanna vernacular, through dialogues and Soh verses to enhance the aesthetic appeal and accessibility for modern audiences. This research integrates literature and performing arts, revitalizing classical works through contemporary Lanna dance drama. Beyond preserving Lanna’s cultural heritage, it offers audiences an immersive experience of Buddhist philosophical themes, harmonized with contemporary sensibilities.