The Study of Achievement in Practicing the Jazz Saxophone Improvisation of Students in Surat Thani Educational institution

Main Article Content

Patarapong Lohawichan

Abstract

 The objectives of this research were to 1) investigate achievements of improvisational saxophone training among students in schools in Surat Thani province and 2) examine the satisfaction levels regarding the
outcomes of improvisational saxophone training among students in schools in Surat Thani province. The study employs an Quantitative Research,
utilizing a targeted sample group of 40 students from schools in Surat Thani province. Research tools include tests measuring the efficacy of improvisational saxophone training and surveys assessing satisfaction levels. Data is collected through tests and surveys and analyzed using statistical methods, including mean (ð‘ĨĖ…), standard deviation (S.D.), and dependent T-test statistics. The quality of the research instruments was verified using the Index of Item-Objective Congruence (IOC) with a value of 0.75. The research concludes with a
descriptive analysis of the findings.
The study results are as follows: 1) regarding the students'
proficiency in performing improvisational saxophone in Surat Thani province, in 9 skills, it was found that the pre-training proficiency level was moderate with a mean of (ð‘ĨĖ…= 2.71, S.D. = 0.84), while the post-training proficiency level was high with a mean of (ð‘ĨĖ…= 3.59, S.D. = 0.90). The statistical
significance of the improvisational saxophone training efficacy among
students in Surat Thani province was at the 0.05 level, more significant than the pre-training test results. 2) Concerning the satisfaction levels regarding the knowledge acquired from the activities taught in the improvisational saxophone practice among students in Surat Thani province, the pre-training satisfaction level was moderate with a mean of (ð‘ĨĖ…= 3.03, S.D. = 0.64). In contrast, the post-training satisfaction level was high, with a mean of (ð‘ĨĖ…= 4.22, S.D. = 0.59). Achieving standardized results in improvisation requires an understanding and consistent practice until proficiency is developed,
allowing further development of improvisation for pieces with different
musical characteristics, including the chord progression of jazz songs.

Article Details

How to Cite
Lohawichan, P. . (2025). The Study of Achievement in Practicing the Jazz Saxophone Improvisation of Students in Surat Thani Educational institution. Journal of Humanities and Social Sciences Suratthani Rajabhat University, 17(1), 169–189. retrieved from https://so03.tci-thaijo.org/index.php/jhsc/article/view/273649
Section
Research Article

References

āļāļĄāļĨāļ˜āļĢāļĢāļĄ āđ€āļāļ·āđ‰āļ­āļšāļļāļ•āļĢ. (2563, āļāļĢāļāļŽāļēāļ„āļĄ-āļ˜āļąāļ™āļ§āļēāļ„āļĄ). āļžāļĨāļ§āļąāļ•āļ‚āļ­āļ‡āļ”āļ™āļ•āļĢāļĩāđāļˆāđŠāļŠāđƒāļ™āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđ„āļ—āļĒ.

āļ§āļēāļĢāļŠāļēāļĢāļ”āļ™āļ•āļĢāļĩāđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡ āļāļ­āļ‡āļšāļĢāļĢāļ“āļēāļ˜āļīāļāļēāļĢāļ§āļēāļĢāļŠāļēāļĢāļ”āļ™āļ•āļĢāļĩāđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡ āļ„āļ“āļ°

āļ”āļ™āļ•āļĢāļĩāđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡ āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļšāļđāļĢāļžāļē, 6(2), 95-110.

āļˆāļīāļ™āļ”āļēāļĄāļēāļ•āļĢāđŒ āļĄāļĩāļ­āļēāļĐāļē, āđāļĨāļ° āļ“āļĢāļļāļ—āļ˜āļīāđŒ āļŠāļļāļ—āļ˜āļˆāļīāļ•āļ•āđŒ. (2560, āļ•āļļāļĨāļēāļ„āļĄ-āļ˜āļąāļ™āļ§āļēāļ„āļĄ). āđāļ™āļ§āļ—āļēāļ‡āļāļēāļĢāļˆāļąāļ”āļāļēāļĢ

āđ€āļĢāļĩāļĒāļ™āļāļēāļĢāļŠāļ­āļ™āļ§āļīāļŠāļēāļ—āļąāļāļĐāļ°āļ›āļāļīāļšāļąāļ•āļīāđāļ‹āđ‡āļāđ‚āļ‹āđ‚āļŸāļ™āļ„āļĨāļēāļŠāļŠāļīāļ āđƒāļ™āļŦāļĨāļąāļāļŠāļđāļ•āļĢāļ”āļ™āļ•āļĢāļĩāļĢāļ°āļ”āļąāļš

āļ›āļĢāļīāļāļāļēāļ•āļĢāļĩ. āļ§āļēāļĢāļŠāļēāļĢāļ­āļīāđ€āļĨāđ‡āļāļ—āļĢāļ­āļ™āļīāļāļŠāđŒāļ—āļēāļ‡āļāļēāļĢāļĻāļķāļāļĐāļē āļāļ­āļ‡āļšāļĢāļĢāļ“āļēāļ˜āļīāļāļēāļĢāļĻāļđāļ™āļĒāđŒ

āļ™āļ§āļąāļ•āļāļĢāļĢāļĄāļ—āļēāļ‡āļāļēāļĢāļĻāļķāļāļĐāļē āļŠāļ·āđˆāļ­āļŠāļīāđˆāļ‡āļžāļīāļĄāļžāđŒ āđāļĨāļ°āļŠāļ·āđˆāļ­āļ­āļ­āļ™āđ„āļĨāļ™āđŒāļ„āļ“āļ°āļ„āļĢāļļāļĻāļēāļŠāļ•āļĢāđŒ āļˆāļļāļŽāļēāļĨāļ‡āļāļĢāļ“āđŒ

āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ, 12(4), 157-168.

āļ˜āļĩāļĢāļąāļŠ āđ€āļĨāļēāļŦāđŒāļ§āļĩāļĢāļ°āļžāļēāļ™āļīāļŠ. (2562). āļ—āļĪāļĐāļŽāļĩāļ”āļ™āļ•āļĢāļĩāđāļˆāđŠāļŠāđāļĨāļ°āļāļēāļĢāļ­āļīāļĄāđ‚āļžāļĢāđ„āļ§āļŠāđŒ. āļ›āļ—āļļāļĄāļ˜āļēāļ™āļĩ:

āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļĢāļąāļ‡āļŠāļīāļ•.

āļžāļīāļˆāļąāļāļĐāļ“āđŒ āļ–āļēāļ§āļĢāļēāļ™āļļāļĢāļąāļāļĐāđŒ, āđāļĨāļ° āļ›āļĢāļ°āļžāļąāļ™āļ˜āđŒāļĻāļąāļāļ”āļīāđŒ āļžāļļāđˆāļĄāļ­āļīāļ™āļ—āļĢāđŒ. (2564, āļžāļĪāļĐāļ āļēāļ„āļĄ-āļŠāļīāļ‡āļŦāļēāļ„āļĄ). āļāļēāļĢ

āļĻāļķāļāļĐāļēāļœāļĨāļŠāļąāļĄāļĪāļ—āļ˜āļīāđŒāļāļēāļĢāđ€āļ›āđˆāļēāđāļ‹āđ‡āļāđ‚āļ‹āđ‚āļŸāļ™āđ€āļšāļ·āđ‰āļ­āļ‡āļ•āđ‰āļ™āļ”āđ‰āļ§āļĒāļŠāļļāļ”āđāļšāļšāļāļķāļāļŦāļąāļ”āđāļ‹āđ‡āļāđ‚āļ‹āđ‚āļŸāļ™āđ€āļšāļ·āđ‰āļ­āļ‡

āļ•āđ‰āļ™ āļ‚āļ­āļ‡āļ™āļąāļāđ€āļĢāļĩāļĒāļ™āļ§āļ‡āđ‚āļĒāļ˜āļ§āļēāļ—āļīāļ• āđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™āļŠāļ§āļ™āļāļļāļŦāļĨāļēāļšāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ. āļ§āļēāļĢāļŠāļēāļĢāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ

āļŠāļ‡āļ†āđŒāļžāļļāļ—āļ˜āļ›āļąāļāļāļēāļĻāļĢāļĩāļ—āļ§āļēāļĢāļ§āļ”āļĩ āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļĄāļŦāļēāļˆāļļāļŽāļēāļĨāļ‡āļāļĢāļ“āļĢāļēāļŠāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ, 6(2), 22-30.

āļ§āļĢāļīāļ™āļ˜āļĢ āļŠāļĩāđ€āļŠāļĩāļĒāļ”āļ‡āļēāļĄ. (2562, āļāļĢāļāļŽāļēāļ„āļĄ-āļ˜āļąāļ™āļ§āļēāļ„āļĄ). āđāļ™āļ§āļ—āļēāļ‡āļāļēāļĢāļˆāļąāļ”āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļāļēāļĢāļŠāļ­āļ™āļāļēāļĢ

āļ›āļāļīāļšāļąāļ•āļīāđāļ‹āđ‡āļāđ‚āļ‹āđ‚āļŸāļ™āđƒāļ™āļĢāļ°āļ”āļąāļšāļ­āļļāļ”āļĄāļĻāļķāļāļĐāļē āđ€āļ‚āļ•āļāļĢāļļāļ‡āđ€āļ—āļžāļĄāļŦāļēāļ™āļ„āļĢ. āļ§āļēāļĢāļŠāļēāļĢāļĻāļīāļĨāļ›āļāļĢāļĢāļĄ

āļšāļđāļĢāļžāļē āļŠāļģāļ™āļąāļāļ‡āļēāļ™āļ„āļ“āļšāļ”āļĩāļ„āļ“āļ°āļĻāļīāļĨāļ›āļāļĢāļĢāļĄāļĻāļēāļŠāļ•āļĢāđŒ āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļšāļđāļĢāļžāļē, 22(2), 71-89.

Levine, M. (1995). The Jazz Theory Book. Petaluma: Sher Music.