From Western Polyphony to Modern A Cappella: Historical Roots and Contemporary Development in China

บทคัดย่อ

This academic article examines the historical evolution and contemporary development of polyphonic and a cappella music, with a particular emphasis on the Chinese context. It begins by tracing the origins of Western polyphony in the Middle Ages, focusing on the shift from monophonic Plainsong to more intricate polyphonic forms such as Organum and the Motet. These innovations established the foundation for modern choral music and vocal harmony. The discussion then broadens to explore the global development of a cappella, highlighting the influence of styles like Barbershop and Vocal Jazz, and the role of international competitions such as the World Choir Games in promoting vocal ensemble music. In China, a cappella has seen notable growth in recent years, particularly within youth and university communities in major cities such as Beijing, Shanghai, Wuhan, and Guangdong. The rise of regional contests, cultural festivals, and institutional support has contributed to increased public engagement and artistic experimentation. These developments reflect both a growing appreciation for vocal performance and the integration of global musical trends into Chinese cultural life.

However, despite this upward trajectory, the development of a cappella in China still faces several obstacles. These include a lack of professional infrastructure, limited access to structured training programs, and an underdeveloped commercial market. The paper concludes by proposing key strategies to address these challenges, such as reforming music education, strengthening international collaboration, and establishing clear professional standards. These recommendations aim to support the sustainable growth of Chinese a cappella and enhance its influence on the global musical stage.