The Kalasin Transmission Method of Mor Lam Kalasin style,Wiraphong Wongsin
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Abstract
This thesis aims 1) To study the history of Mo Lam Wiraphong Wongsin 2) To study the process of the Kalasin transmission of Mor Lam Wiraphong Wongsin Data is collected from documents and fields. Conducted a study between July 2019 - December 2019Research tools Is an interview Unstructured and observation The informational personnel consist of Mor Lam Wiraphongwongsilp Pupils who have studied Pupils are studying Band members and presenting the research results by descriptive analysis method The results of the research showed that
1) Formerly Mo Lam Wiraphong Wongsilp, a professional barber Mor Lam Weerapong Paying attention to the singing Ambition since childhood Want to have a band of your own Want to be Mor Lam Want to get to know more people Which was passed on from Teacher Tanjai Wan Who was the trainer of the trunk and the dance Moreover, he is gifted in this field and therefore can learn quickly. Began to be a full-fledged Mor-Lam occupation. At that time, only 19 years old, in year 1983, started out as a contractor for various jobs Only then. Later, in the year 2529 B.E., began to become a Mor-lam artist and the Mor-lam faculty of Super San Kham. Mor Mor, the story to the poem, Kalasin Sarakhham Is a famous Mo-mo in Maha Sarakham province. And get the role of a hero Mor Mor, the story to the poem, Kalasin Sarakhham Which has the nickname Rung Dawn at Phu Tai Year 2533, relocated to the Blue Moram Group of Mor Lam.Is a story about a poem similar to Kalasin Sarakham.Very famous at that time, traveling through the northeast in many provinces Such as Roi Et, Yasothon, Kalasin, Khon Kaen, Sakon Nakhon, Nakhon Phanom And Ubon Ratchathani Affiliated with this band for about 19 years more than playing the hero and later playing the father Phaya Music fans responded to the popularity. And was the last band before deciding to start their own band in 2004 Set up a folk-rock band, Weerapong Wongsin, Phu Thai artist, famous until today.
2) The process of transferring Mor Lam Wiraphong Wongsin, there are methods for accepting the patriarchal son in the sound of singing voice Memorizing verse is a study of verse Lam to understand by yourself. Will be the assignment for the students to use the verse to memorize by heart While still not wearing melodies But focusing on the memorization of words in the poem with accuracy and heart Pronunciation of each word in a poem clearly Mor Lam Wiraphong Wongsin transmits various melodies To the pupils by means of demonstration Watch as an example first and then start to broadcast. The transmission of that melody With pronunciation methods The correct sound level of the word Each verse, the rhyme of each verse in every word that has In that poem The process of practicing this melody requires a lot of patience from the students. Because the pronunciation of each poem must be clear and correct The sound level of the poem must be the sound level Correct according to the trunk By comparing the volume from the sound of can In each class, Mor Lam Wiraphong Wong Sin will record his own vocals for the students to take back to listen to or practice by themselves.
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References
เจริญชัย ชนไพโรจน์ (๒๕๒๖). การละเล่นพื้นบ้านอีสาน. ภาควิชาคุริยางคศาสตร์ คณะมนุษยุศาสตร์. มหาสารคาม, มหาวิทยาลัยศรีนครินทรวิโรฒมหาสารคาม.
จารุวรรณ ธรรมวัตร (๒๕๒๗). รายงานวิจัย “เรื่องการละเล่นพื้นเมืองอีสาน”มหาสารคาม. สถาบันวิจัยศิลปะและวัฒนธรรมอีสานมหาวิทยาลัยศรีนครินทรวิโรฒ.
พรสวรรค์ พรดอนก่อ (๒๕๖๐). วาทหมอลำอีสาน. สาขาวิชาการวิจัยทางศิลปกรรมศาสตร์ มหาวิทยาลัยมหาสารคาม. ปริญญาปรัชญาดุษฎีบัณฑิต.
ศิริชัย ทัพขวา (๒๕๖๐). การพัฒนารูปแบบการแสดงหมอลำหมู่เชิงธุรกิจ. สาขาวิชาวัฒนธรรมศาสตร์, มหาวิทยาลัยมหาสารคาม. ปริญญาปรัชญาดุษฎีบัณฑิต.
อาทิตย์ คำหงษ์ศา (๒๕๕๕). การศึกษาทำนองลำของหมอลำเรื่องต่อกลอนในภาคอีสานตอนกลาง. สาขาวิชาดุริยางคศิลป์, มหาวิทยาลัยมหาสารคาม ปริญญาศิลปกรรมศาสตรมหาบัณฑิต.