ANALYSIS AND CREATION OF EXERCISES FROM SONGS LAGRIMA OF FRANCISCO TARREGA ON CLASSICAL GUITAR
Main Article Content
Abstract
Academic article on analysis and creation of exercises from Francisco Tarrega's Lagrima on classical guitar. The researchers studied the following issues: 1) Research and find information on the songs and their composer, Francisco Tárrega. He was a renowned Spanish classical guitarist and composer of the Romantic period. Tárrega has composed many compositions, ranging from basic systems that beginners can study and practice on the classical guitar to more complex pieces. Tárrega also invented the rest stroke and the classical guitar playing position by placing the left leg on the left leg instead of the leg rest. The classical guitar on the player's left leg has been a popular playing position up until now. 2) Analyze the song in detail on the following points: 2.1) Analysis of Harmony of Notes and Chord Progressions, 2.2) Analyze the Melodic Line, and 3) Perspectives on interpreting music as a performer, including various techniques in the song. The compositional and performance techniques and various musical theories take the knowledge gained from studying and develop it further into five exercises. The author has analyzed and synthesized this song from observations of the artists who performed it and focus group discussions with classical guitar instructors, including the participation of classical guitar students from years 1 - 4. Using the aforementioned exercises will further develop teaching methods and increase skills and agility in playing classical guitar for students of classical guitar courses and those interested in playing classical guitar.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
References
ชานน สืบสม. (2021). การสร้างแบบฝึกหัดกีตาร์คลาสสิกจากเทคนิคการบรรเลงของ ฟรานซิสโก ทาร์เรกา ในบทเพลงคาปริซโช อาราเบ แกรนโคตาและแวริเอชัน ออน เดอะ คาร์นิวาล ออฟเวนิซ. วารสารมนุษยศาสตร์วิชาการ มหาวิทยาลัยเกษตรศาสตร์, 31(1), 112-126.
ณัชชา พันธุ์เจริญ. (2563). สังคีตลักษณ์และการวิเคราะห์ Form and Analysis. กรุงเทพมหานคร: บริษัท ธนาเพรส จำกัด.
บัญชา อาษากิจ. (2560). การแต่งเพลง. สุราษฎรธานี: มหาวิทยาลัยราชภัฏสุราษฎร์ธานี.
สมชาย รัศมี. (2559). การเรียบเรียงเพลงสมัยนิยม Arranging for Popular Music. กรุงเทพมหานคร: สหธรรมิก.
Clendinning, J. P. & Marvin, E. W. (2016). The Musician's Guide to Theory and Analysis. (3rd ed.). New York: W. W. Norton & Company.
Green, D. M. (1979). Form in tonal music: An introduction to analysis. (2nd ed.). New York: Holt, Rinehart, and Winston.
Kostka, S. & Payne, D. (2013). Tonal harmony: With an introduction to twentieth-century music. (7th ed.). New York: McGraw-Hill Education.
Randel, D. M. (2003). The Harvard dictionary of music. (4th ed.). Massachusetts: Belknap Press of Harvard University Press.
Roig-Francolí, M. (2011). Harmony in context. (2nd ed.). New York: McGraw-Hill.
Turek, R. (1996). The elements of music: Concepts and applications. Boston: MA: McGraw-Hill.
Wade, G. (2001). A Concise History of the Classic Guitar. New York: Mel Bay Publications.