THE STUDY ON CREATION OF MUSIC PROGRAMS WITH COPYRIGHT FROM ABROAD OF WORKPOINT CHANNEL NO.23

Abstract

The objective of this research is to study the production process and the creation of copyright music programs from foreign countries of Workpoint No. 23. This is quality research that uses data description from in-depth interview methods. The sample group or information provider that has been selected for specific samples is personnel in the production of television programs that have a broadcast during the years 2013-present. Using an analysis of metaphor by analyzing information from in-depth interviews to analyze and data analysis from reading interviews or various related news articles. The results of the production process found that Creating copyright music programs from foreign countries and creative music programs are differences in the process of thinking, structure, work methods, limitations and regulations and images. Which the copyright owner will send an expert team to distribute and be a consultant throughout the transaction. However, there is still the same matter in the matter. Procedures of production and shooting Including using a professional team to work in various processes. Creativity findings found that Creation of licensed music programs from foreign countries is difference from a music program that is created by oneself, which is additional thinking and adjustment but still maintains the concept of copyright, production preparation has to determine the scope and content from the creativity in the content and the form of producing copyrighted programs adapting to suit the audience. In common is a more modern style. Consider broad castable content including creating complete content in all dimensions.