THE IDEAL OF TEACHING: A TWENTY-YEAR REVIEW AND OUTLOOK ON “HIGHER EDUCATION DANCE” INSTRUCTION

Main Article Content

Xu Chenglong

Abstract

In 1997, the prestigious Shaanxi Normal University and renowned Fujian Normal University pioneered the establishment of the innovative “Dance Education” major in higher normal universities in China. Since then, beginning in 1999, various prominent normal universities and diverse comprehensive universities across the country have successively introduced dance disciplines. The term “Higher Education Dance” refers specifically to specialized dance programs offered at higher normal universities and, more broadly, to comprehensive dance disciplines established in reputable universities. The twenty years since the graduation of the first cohort of dance undergraduates in the 21st century have witnessed the remarkable development of higher dance education. This paper aimed to provide a thorough review and discussion of the past two decades of dance education in higher normal universities, focusing on aspects such as training objectives, curriculum design, and teaching evaluation. In addition, this study also assessed the significant impacts and development of Higher Education Dance programs in China over the past two decades by analyzing graduates’ valuable academic experiences, career trajectories, and perceptions of the discipline. The research results were as follows: 1) Higher Education Dance programs effectively prepare graduates for teaching careers, though a small percentage transition to non-dance fields, highlighting a need for broader interdisciplinary training. 2) The curriculum structure aligns with national policies, integrating general education, dance training, and pedagogy, yet gaps remain in practical training and regional dance integration. 3) While urban universities offer better faculty and resources, less-developed regions face faculty shortages, infrastructure limitations, and student skill disparities, requiring policy support and curriculum improvements.

Article Details

How to Cite
Chenglong, X. . (2025). THE IDEAL OF TEACHING: A TWENTY-YEAR REVIEW AND OUTLOOK ON “HIGHER EDUCATION DANCE” INSTRUCTION. Journal of Liberal Art of Rajamangala University of Technology Suvarnabhumi, 7(2), 304–316. retrieved from https://so03.tci-thaijo.org/index.php/art/article/view/286714
Section
Research Articles

References

Chen, Y. W. (2003). Modern dance and cultural identity: A study of contemporary Taiwan indigenous choreographers [Master’s thesis, Nanhua University]. https://nhuir.nhu.edu.tw/retrieve/28341/092NHU05673001001.pdf

Cisneros, R. E., Crawley, M. L., & Wood, K. (2023). Digital tools in formal and informal dance education environments. Ethical Agility in Dance. https://www.taylorfrancis.com /chapters/edit/10.4324/9781003111146-13/digital-tools-formal-informal-dance-education-environments-rosemary-rosa-cisneros-marie-louise-crawley-karen-wood

Huang, F. (2003). Policy and Practice of the Internationalization of Higher Education in China. Journal of Studies in International Education, 7(3), 225–240. https://doi.org/10.1177/1028315303254430

Jin, J., & Martin, R. (2019). Exploring the past to navigate the future: Examining histories of higher dance education in China in an internationalised context. Research in Dance Education, 20(2), 225–246. https://doi.org/10.1080/14647893.2019.1566304

Li, H., Pang, X., & Li, C. (2023). Review the development and evolution of aesthetic education in Chinese schools from a policy perspective. Sustainability, 15(6), Article 5275. https://doi.org/10.3390/su15065275

Liu, W., & He, C. (2022). Curriculum-based ideological and political education: Research focuses and evolution. International Education Studies, 15(5), 28–35. https://doi.org/10.5539/ies.v15n5p28

Peng, Y. (2023). The Practice of Integration of Art Education and Regional Culture Towards Pedagogy Enhancement. Journal of Education and Educational Research, 6(2), 192–205. https://doi.org/10.54097/jeer.v6i2.14990

Risner, D. (2012). Hybrid lives of teaching and artistry: A study of teaching artists in dance in the USA. Research in Dance Education, 13(2), 175–193. https://doi.org/10.1080/14647893.2012.677426

Xie, T. (1994). Fundamental theory and methodology of dance education. Shanghai Music Publishing House.

You, L., Sensai, P., & Sangmuenna, W. (2024). The education development and transmission of Chinese Haiyang Yangge folk performances since 1949 in Shandong Province. International Education Studies, 17(6), 23–33. https://doi.org/10.5539/ies.v17n6p23

Yu, S., Zheng, T., & Xie, J. (2024). Research on the integration and creation of regional intangible cultural heritage dance in aesthetic education in universities: Taking Sichuan University for Nationalities as an example. Higher Education and Practice, 1(3), 33–38. https://doi.org/10.62381/H241306

Zhang, D. (2023). Analysis on the path of integrating traditional cultural education into dance teaching in colleges and universities. International Journal of New Developments in Education, 5(11), 21–25. https://doi.org/10.25236/IJNDE.2023. 051104

Zhang, Y. (2024). Teaching reform of dance major based on TPACK learning theory and AI classroom. Journal of Computational Methods in Sciences and Engineering. Advance online publication. https://doi.org/10.1177/14727978241303825

Zhao, Y. (2022). Teaching traditional Yao dance in the digital environment: Forms of managing subcultural cultural capital in the practice of local creative industries. Technology in Society, 69, Article 101943. https://doi.org/10.1016/j.techsoc.2022.101943