THAI JA: WRITING SCRIPT FOR PANTOMIME PERFORMANCE THROUGH DEVISING THEATRE APPROACH

Main Article Content

Piangpaitoon Satrawaha

Abstract

The source of this research is from observing that Thai contemporary mimes are trying to develop their performances to communicate more on the serious subject; however, some of them mistook that if they portray too serious subject, Thai audiences who are appreciative of comedic form would lost their interests on the show. As a result, Thai Pantomime scripts have not been able to find the balancing serious social message and comedic form. Study and experiment on a pantomime script writing by Devising Theatre process leads the researcher to perceiving the cause of problems in Thai mimes. After cooperating on the experimental research which worked on the researchers implement, finally a new pantomime script was successfully composed with balancing comedic form and serious social message.

Article Details

How to Cite
Satrawaha , P. (2011). THAI JA: WRITING SCRIPT FOR PANTOMIME PERFORMANCE THROUGH DEVISING THEATRE APPROACH. Journal of International Studies, Prince of Songkla University, 1(2), 25–36. Retrieved from https://so03.tci-thaijo.org/index.php/jis/article/view/246080
Section
Academic Articles
Author Biography

Piangpaitoon Satrawaha , Faculty of Arts, Chulalongkorn University

Master of Arts in Dramatic Arts

References

bagayuăry lwsnnes. (2537, nwanaw). analý: wanashuvignon HIGHL. The Earth 2000, 1(11), via 52-70.

Aubert, C. (1970). The art of pantomime. New York: B. Blom.

Heddon, D. & Milling, J. (2006). Devising performance: a critical history. Basingstoke: Palgrave Macmillan.

Lecoq, J. & Bradby, D. (2006). Theatre of movement and gesture. London: Routledge.

Loeschke, M. S. (1982). All about mime: Understanding and Performing the Expressive Silence. New Jersey: Prentice-Hall.

Oddey, A. (1994). Devising Theatre: a Practical and theoretical handbook. London: Routledge.