The Body of Knowledge, Conveying Wisdom, and Methods of Performative Process upon Chinese Characters Gesture in Lakhorn Phanthang entitled “Rajathiraj”
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Abstract
This research aims to study the relationship of the performance which is a body of knowledge in terms of cultural wisdom within the Chinese characters in order to collect and record the body of knowledge, conveying the wisdom and methods of the process. Qualitative research method was employed. The research tools were 1. structured interview 2. unstructured interview 3. structured observation and 4. non- participant observation utilizing to analyze the data and leading to a result of the research.
It revealed that Chinese Opera affects the performative pattern. For the role of the characters in terms of the relationship from individuals to teacher whose character is portrayed as the same prior one conveys to the performance, dancing process as well as concerning elements which leads to the three paradigms mentioned including 1. Sequent Performative Pattern 2. Planned Practical Methods 3. Particular Choreography which plays a master roles of the performance 4. Emotional Conveying Method 5. Make up and Costume according to the Chinese Character’s Types occurred such as King of China (Seng Zhou Emperor) Kamani, Zupiao, flag carrier, Chinese soldier and translator.
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เนื้อหาและข้อมูลในบทความที่ลงตีพิมพ์ในวารสารทดสอบระบบ ThaiJo2 ถือเป็นข้อคิดเห็นและความรับผิดชอบของผู้เขียนบทความโดยตรงซึ่งกองบรรณาธิการวารสาร ไม่จำเป็นต้องเห็นด้วย หรือร่วมรับผิดชอบใดๆ
บทความ ข้อมูล เนื้อหา รูปภาพ ฯลฯ ที่ได้รับการตีพิมพ์ในวารสารทดสอบระบบ ThaiJo2 ถือเป็นลิขสิทธิ์ของวารสารทดสอบระบบ ThaiJo2 หากบุคคลหรือหน่วยงานใดต้องการนำทั้งหมดหรือส่วนหนึ่งส่วนใดไปเผยแพร่ต่อหรือเพื่อกระทำการใดๆ จะต้องได้รับอนุญาตเป็นลายลักอักษรจากวารสารทดสอบระบบ ThaiJo2 ก่อนเท่านั้น
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