“Ikiryou” in Murakami Haruki’s Killing Commendatore: Wounds and Memories from the War

Abstract

This article endeavors to analyze Murakami Haruki's "Killing Commendatore," with a specific focus on the concept of "Ikiryou" or "the disembodied spirit," a surreal element that has manifested in Japanese literature since ancient times. Notably, Murakami introduces this concept in his novel, marking a contemporary interpretation. Through the research, three dimensions of "Ikiryou" emerge: (1) It unveils characters' profound sentiments of attachment and resentment related to war; (2) "Ikiryou" serves as a reflection of the enduring impact of the Second World War, persisting as an integral part of Japanese societal fabric; (3) Murakami's portrayal of "Ikiryou" diverges from traditional representations in Japanese literature, as contemporary "Ikiryou" is no longer inherently malevolent. Consequently, addressing "Ikiryou" does not involve expulsion or evasion; rather, aiding these spirits in fulfilling their objectives signifies a path to redemption, aligning with the author's intent to emphasize that the younger generation should not disregard their historical legacy, particularly concerning wartime experiences.