Ranad Ek’s role performance in Piphat Sepaa ensemble and the Timing Arrangement

Abstract

Abstract

          This article purposes to point out a structuralism concept and Piphat Sepaa cultural practice of Ranad Ek role. In Addition, specifically, the Thai integral thought is applied to understand Ranad Ek performance as the formal art, which is critically based on its musical role. The complex character involves the being Ranad Ek which is defined as the potential of a leader and tied to an image of masculinity. The Ranad Ek major role reveals that it is centred in the Piphat Sepaa ensemble to curb the timing arrangement. The aesthetics of Piphat Sepaa is authoritatively stood on the melodic form of the Ranad Ek in leading skill as being an influential character.