Wong Piphat Prakongsilpa Suphanburi Province

Abstract

This research aims to investigate the history, evolution, and the phenomenon of musical competition associated with the Piphat ensemble "Prakongsin" from Suphanburi Province. The study employed a qualitative research methodology, with data collected from documentary sources, relevant academic studies, and in-depth interviews with key informants involved in the research issues. The findings are presented in two parts 1. History and Development: The "Prakong sin" Piphat ensemble originated from the ensemble of Nai Pleung Ratsamee, established in 1905 (B.E. 2448). The tradition was transmitted through a kinship system until it reached Khru Prakong Wisuttiwong. Khu Prakong significantly developed the Mon Piphat style by decorating the Mon gong circle (Khong Mon) with peacock feathers and creating a Mon xylophone stand (Ranat Mon) which was an evolution of the Khong Kratae stand, designed to resemble the Royal Barge Suphannahong, and famously named the "Rang Hong" (Swan Stand). The ensemble has been passed down to the current 4th generation, led by Mr. Thanou Wisuttiwong. Mr. Thanou has continued the development by enhancing the ensemble's formal arrangement, utilizing LED lights to adorn the instruments, and ensuring the musicians’ attire is modest and professional, thereby establishing a refined and standardized image for the ensemble. 2. Competition Phenomenon: The tradition of Piphat competition involved contests between both Thai-style and Mon-style ensembles. The rival most frequently encountered was the Duriya Praneet ensemble. Notable featured events include the 12th Thai Music Narration event in 1984 (B.E. 2527) held at the National Theatre on April 6, 1984, and the 'Prachan Ranad Ek Chon Rang' (Xylophone Competition) held in 2010 (B.E. 2553) at Wat Bang Pla Mo, Phra Nakhon Si Ayutthaya Province, on March 25, 2011 (B.E. 2554).