Aesthetic analysis of Si Chan Qing Yin Music

Abstract

The purpose of this study is to explore and analyze the music analysis and aesthetic value of Qingyin in Sichuan since the founding of New China (1949). The objectives of the study are 1) The music of Qingyin in Sichuan and 2) Analysis of the aesthetic value of Qingyin in Sichuan.

The results show that the characteristics of Qingyin music in Sichuan since 1949 are based on local folk songs and folk songs, absorbing folk folk tunes from all over the country, combining opera performance skills and modern vocal skills, and inheriting the stylized Qupai style of Chinese folk art, Bancavity, couplets, singles and other fixed genres, forming a unique art form in Sichuan. Sichuan Qingyin performs in a dialect of Sichuan dialect. Most of the singing content is based on folk stories that are familiar to the common people, and the taste of life. Through the statistical analysis of practical research data, it is proposed how Sichuan Qingyin will adapt to the times, adapt to the audience, from the perspective of internal self-hematopoietic function and external development support, put forward some feasible suggestions, and provide some new ideas for the inheritance and development of Sichuan Qingyin.