A Study of Ranard Ek Variations in Sathukarn song: A case study of the method of Teacher Suchao Harimpanich and the method of Arjarn Mitt Sapphut

Authors

  • Surachet Promrak Faculty of Education, Sisaket Rajabhat University

Keywords:

Sathukarn Song, Ranad Ek, Variation

Abstract

Abstract

The objective of this research is to compare the line of Ranad-Ek tracks of Sathukarn. From the line of teacher Suchao Rhimpanit and the line of teacher Mitt Shabpud. From the 1st to the 9th, to know about each of them using a Ranad-Ek poem in various poems.

The result found the line of the Sathukarn track from teacher Suchao Rhimpanit Line 1st to the 9th uses these poems. 1) Mon-ta-keb poem. 2) Tai-loed poem. 3) Yon-ta-keb poem. 4) Pan poem. 5) Fak poem. 6) Zon-ta-keb poem.  7) Sub-Fak poem. 8) Tai-mai poem.

The line of the Sathukarn track from teacher Mitt Shabpud lines 1st to the 9th use the following poems. 1) Mon-ta-keb poem. 2) Tai-loed poem. 3) Lod-ta-kai poem. 4) Fak poem. 5) Tai-mai poem. 6) Roi-Luk-So poem. 7) Zon-ta-keb poem.

 

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Published

2024-08-30

How to Cite

Promrak, S. (2024). A Study of Ranard Ek Variations in Sathukarn song: A case study of the method of Teacher Suchao Harimpanich and the method of Arjarn Mitt Sapphut. Journal of Music and Performing Arts, Khon Kaen University, 6(2), 27–54. Retrieved from https://so03.tci-thaijo.org/index.php/JournalofMUSPAKKU/article/view/270091

Issue

Section

Research Articles