Wu Z, Hemchua S. Semiotics of Hybridity in Nanyang Art: A Visual Analysis of Chen Wen Hsi and Liu Kang’s Cross-Cultural Works (1950–1975). IARJ [internet]. 2026 May 19 [cited 2026 Sep. 28];6(3):e291230 . available from: https://so03.tci-thaijo.org/index.php/IARJ/article/view/291230