WU, Z.; HEMCHUA, S. Semiotics of Hybridity in Nanyang Art: A Visual Analysis of Chen Wen Hsi and Liu Kang’s Cross-Cultural Works (1950–1975). Interdisciplinary Academic and Research Journal , Maha Sara Kham, TH., v. 6, n. 3, p. e291230 , 2026. DOI: 10.60027/iarj.2026.e291230. Disponível em: https://so03.tci-thaijo.org/index.php/IARJ/article/view/291230. Acesso em: 2 oct. 2026.